art
quiet days IV
art, recent workquiet days III
art, recent workquiet days II
art, recent workquiet days I
art, recent workat aunt Anna’s
art, recent workGouzac I; pencil on paper, 20 x 20 cms
Vermeer copy with aunt and sister
Gouzac II; pencil on paper, 20 x 20 cms
From water and bread in the City to tea and milk with aunt Anna and her sister, their children and Gouzac the watchdog. Auntie and I both like Vermeer. The dog is magnificent and a good workmate. We all had a good time.
Istanbul Evangelia
art, recent workEvangelia icon in Ayazma Church, Istanbul
NIPSON ANOMEMATA ME MONAN OPSIN; ‘wash your sins, not your face’… sound of water dripping from the Virgin’s well. A circle of light upon the coarse sand under the oil lamp. The caretaker singing low and gently in Greek. On the wall an icon representing the Annunciation, many times caressed by gazes, prayers, fingertips – deep into the very wood.
pencil drawings
Istanbul souvenir, 1997
artsantralistanbul & artlinks
artjust a few pictures from the exhibition Modern and beyond at santralistanbul:
…and a few artlinks:
http://www.santralistanbul.com/
http://www.istanbulmodern.org/
http://www.istanbulartlist.net/
space and time drawings III
art, teachingmovement studies; graphite pencil on paper
Tuesday January 15th; visiting the eurythmy students, today working with tonal eurythmy. The piano player performs a phrase; teacher translates into a movement scheme; the piano repeats the phrase over and over, students absorb into their bodies what they are taught and what they hear, bringing it out in movement. We, the art students and teachers, follow the process in our drawing. Back in the Blue Atelier after the morning break, we have a model sitting perfectly still upon a chair in front of us. And so, we’re thrown back into art school tradition…
In traditional art school drawing, one deals primarily with the issue of representing space on a surface, looking for proportions and using (different kinds of) perspective. Little attention is paid to the dimension of time; though, in the world of senses, time is the actual mode of existence. In drawing – is it possible to shift focus between space and time? In trying – how does my mind change?
model study; charcoal on paper