Day 7: Reset, start anew… I cannot move the large canvases on my own, so they’ll have to stay set for the time being. Everything else goes back into the storage space – only the armchair and the folding chairs remain. They aren’t my artworks; they are my coworkers. The pea-green chairs are a low-budget remake of “the Situation” – a project highlighting loneliness, by Karin Lindström Kolterud. Karin herself shows up, and gives some valuable suggestions on how to choreograph the bulk of chairs in relation to the paintings.
At 3pm, a visitor arrives from Cambridge – via zoom – and takes a tour through the whole set-up in my cellphone.
“Läget” (“the Situation”), draft by Karin Lindström Kolterud p.1
“Läget” (“the Situation”), draft by Karin Lindström Kolterud p.2
From yesterday’s elderly artlovers – partly somewhat blasé – a sudden turn to younger minds. Distance yields for active involvement; action alternates with reflection. Ebb, and flow… Today, the process seems to have reached a node – not coming to a close, but to a resting point. Tomorrow, the beginning of another week.
Saturday is opening day at the other artspaces in the block… and for the first time, there’s the occasional visitor who shows no sign of interest; just another stop on their round, a quick glance with a connoisseur’s glasses on, before heading to the next gallery… But there’s been other kinds of encounters, too – between laughter and (almost) tears. The prolonged view. Paying homage to a worn-out blanket. Aesthetics and/or sincerity? Thank you, Lena, Birgitta, and all of you whose names I don’t know!
In the morning, I had a visiting group of students from the art class that I’ve shared the last weeks with, and their teachers. As I asked them to find an inherent theme when rearranging the material, they responded with an almost wordless collaboration – and a spontaneous installation from fabrics, tape and paper cups. Over the next hours, pairs of visitors kept dropping in… exchanging thoughts about space, body matters and grandkids; about Daniel Buren and giving up control; and the pleasing state of being banal.
Day 3: soon, playful surprises in unexpected places – left from yesterday – would yield for an extreme makeover. A cohesive team worked hard for two hours, mounting large canvases and little drawings… while fruits & flowers were put on display in the storefront. Thank you Birgitta, Susanne och Christina! And thank you, Karin, for superb documentation (to be seen elsewhere)!
May 11th: a day of breathing, of extended attention. Nearness; distancing; returning… The beginning of a longer rhythm? A visitor’s intervention intuitively connecting manifestations of motherhood and childhood; frailty, and a hidden treasure. In the evening, a sharing circle opens up to playful, gentle joy. The sky is getting clearer. A rainbow.
May 10th: from white walls in an empty space… to a meandering dialogue in words and making. Thank you for the installation, Walter! Thank you for creating cosmos from chaos in darkness, Lena! Thank you for your time and courage and collaboration, Mats and Mats! Thank you for the world opening down the rabbithole, Thea! Thank you – each one not mentioned by name – for your perspectives, your interest, your warm professionality! This is what I hoped for, in more than ample measure.
In late autumn 1986, I staged the Exhibition and Life in the gallery space of the Royal Academy of Art in Stockholm. Being a fifth year student at the Royal Institute of Art, I had a studio space in that same building; so, I brought my collected body of work – unsorted – onto the gallery floor. The exhibition took shape continuously until it closed. The title was suggested by my firstborn, then six-and-a-half years old.
Today, over three decades later, it’s time to reconsider.
The Exhibition and Life (reconsidered) reflects the initial process – using paintings, drawings and objects made during the last few decades as material. Again, the exhibition will be in constant change – as life itself. For a deepened experience, visitors and guests are invited to actively take part; by (re)curating and (re)arranging, by interventions and performances of your own, as well as in shared reflections and public talks.
The Exhibition and Life (reconsidered) will open Tuesday May 10th, and close Sunday June 5th. Open every day 12-5pm; Tuesday evenings until 8pm.
Documentation and programme updates will be published here continuously.
To my joyful surprise, I recently got the opportunity to attend a Winter Symposium with the Nordic Summer University. It took place in Latvian countryside, close to a natural reserve (but out of reach for the internet).
The venue, of course, is an extremely powerful tool in the set-up of such a gathering; framing the whole process, contributing to how knowledge is produced, shared and interpreted.
The overall theme for the NSU Study Circle 7 is The experiential in artistic practice: methods, knowledges and reflective processes. Over three days of Easter, a lovely bunch of artistic researchers, academics and practitioners presented their research and shared practices – as well as hot sauna and icy swims.
Learning about feminist strategies by printmaking, about regenerative farming in Latvia as a base for textile art, and the importance and implications of Wanderlust… Learning from Finnish and Latvian dancers, British artists, a theatre director from Tampere and a Polish philosopher… This has been a unique and inspiring experience in so many ways – not least thanks to Ulla, our exceptional chef! I hope to meet again…
…as I hope for peace, for human awareness towards all earthly beings, and the rebirthing forces of spring.
“Birkaterminalen” – former ferry terminal turned artspace
“Art for Ukraine” posters
“Here, we leave everyday life”
…with 167 artworks donated by artists (many wellknown) of a number of nationalities… Disco upstairs, where also tasty borscht was served – of course – and pastry and wine, too. Everything free-from-profit, managed by voluntary work.
Lot 104, Svetlana Yerkovich (untitled)
Lot 061, Nicolai Nickson (untitled); lot 073, Françoise Ribeyrolles-Marcus, “Gul och Blå”
Lot 064, Dascha Esselius “Det ryska korset”; lot 085, Ebba Matz “Attraction”; lot 111, Jan Rydén “Ecoutez”; lot 098 Mia Malmlöf “Fjärilvinga”
Lot 096, Leijra Lauberg, “The Rotten”
Lots 104 and 112; lot 149, Iryna Kotlyar “The Kingfisher”; lot 114, Eva Pagmar and Maija Eloranta, “PRZ in Versailles”
Lot 001, Ekaterina Sisfontes & Eugen Wolynsky, #Ukraine30
Lot 111, Jan Rydén “Ecoutez”
Lot 088, Anna Molander, “Morötterna blev fina i år”
Auction starting by five o’clock, resulted in a stunning SEK 270 000 (26 000+ €); artworks not sold will be on display at Ordfront publishing house until April 23rd, when a second auction will take place. All incomes will benefit humanitarian aid organizations in Ukraine. More on Duo Contradiction/Art for Ukraine!
(Lot 112 was purchased on telephone bidding – to my surprise and delight.)