Musical Quarter Interlude: Art and Spirit

art, curating, painting, recent work, time-out

“Art and Spirit – like a twelve-tone scale, the works of eleven artists sound in the Musical Quarter. The exhibition takes place on all floors within the building – in the doorway, the entrance hall and stairwells, in the foyers and the concert spaces.”

A one-day-only exhibition at Stockholm’s Musical Quarter, curated by Tobias Sjöberg – up and running from noon at Saturday, March 11th, into the wee hours of the night when the last guests are leaving the party.

Tobias Sjöberg at work; photo HHW.

ART AND SPIRIT
participating artists:

Amanda Cardell

Beata Fransson

Helena Hildur W.

Jakob Sjöstedt

Jouko Mario

Margrethe Sjöberg

Mats Adelman

Stefan

Tiago Altink

Tobias Sjöberg

Viktor Kopp

– – –

Friday, March 10th: gathering together to hang the artworks. A colourful curtain – made for the occasion by Amanda Cardell – will greet every guest at the main entrance. In the Clara Schumann hall, works by Viktor Kopp and myself have found their place, waiting quietly for tomorrow’s artsy sounds, klezmer swing and late night disco. Manager Andil Dahl always seems to be in the right place to make everything run smoothly.
(below)

Amanda Cardell: “Entering” (behind the entrance doors); a drapery of ribbons

Viktor Kopp: “Door and line”; oil on canvas 160 x 170cms

Andil and Johan discussing lighting matters

HHW: three diary paintings; oil on wood panel

HHW: four monthly pictures; blood, ashes and chinese ink on silk

(above)
Hanging completed in the Clara Schumann hall; on display from my part are three diary paintings (oil on wood panel) and four monthly pictures (blood, ashes and chinese ink on silk).

In the first floor foyer, painted wood sculptures by Tiago Altink are put on display. At the second floor, Jakob Sjöstedt’s sculptural sounding objects interplay with scenic elements of the locale. Missing on photo are Margrethe Sjöberg’s embroidered birds of fantasy, and Jouko Mario’s enigmatic paintings opening up to views of strange streets and buildings.
(below)

Installing sculptures by Tiago Altink

Tiago Altink: painted wood sculpture

Jakob Sjöstedt: “Signal”/”Untitled”; loudspeaker elements, sand, sound / reeds, deer skull, copper plate, parts of a torn-down kitchen

In the stairwells, Mats Adelman builds exquisite cabinets where the night fly finds rest and the barn owl can be seen flying… The old and the new meet in the third floor foyer, where Beata Fransson’s playful photographic sculpture echoes the brick wall of a building across the street.

Halfway down another staircase, Stefan’s self portrait is a world in itself; I’m humbled and grateful to have my cloud drawing placed next to it.

Missing here are Tobias Sjöberg’s Octave – watercolour paintings covering two huge windows, creating a quiet virtual space opening to pure colour; turning the room into a floating vessel, carrying living people and pale plaster muses along outside of time …
(below)

Mats Adelman: “Subforest”; installation with sculpture and drawings

view from the third floor foyer

Beata Fransson: “Corner”; black and white print on woodprin

HHW: cloud drawing; graphite on paper

Stefan: untitled; watercolour and pencil on paper

Saturday, March 11th: giving the installations a last finish; then removing tools and ladders, doing a bit of cleaning up; and, the Art and Spirit exhibition is up by noon. At four o’clock, the Swedish Wind Ensemble gathers for a sounding parade around the neighbourhood. When they return, guests are already queuing to get inside. Scendödsfestival sets off – let the party begin!

Brenda El Rayes, Breathing Slowly… (1/4)

Brenda El Rayes, Breathing Slowly… (2/4)

Brenda El Rayes, Breathing Slowly… (4/4)

Brenda El Rayes, Breathing Slowly… (3/4)

Teodor Wolgers & Friends (1/2)

Teodor Wolgers & Friends (2/2)

Musical Quarter Interlude

art, time-out, upcoming

Time to move on – from the digital dirtroad experience to an exquisite 19th century building by the waterfront of central Stockholm: the very first concert hall built in Sweden, patroned by the Royal Swedish Academy of Music. Today, the Musical Quarter is multi-functional venue hosting a variety of genres: from folk & world music (permanently housed in the old backyard horse stable) to early music, opera, jazz, philharmonic and purely experimental… in creative process, as well as in public performances and festivals.

Right now, the prospect of having rents increased by more than 55% threatens the whole initiative. The managing team then decided to mobilize all friends and good powers in Scendödsfestival – a full night’s total music and art experience, with free access for the public – happening on Saturday, March 11th.

I’m very happy to be counted among those friends; last week, I joined a group of visual artists – invited by our much esteemed colleague Tobias Sjöberg – to check out the site. What a marvelous place…

…and what a kind, professional and receptive bunch of people to work with. Many of us had never met before – I’m eager to see what we’ll come up with together!

More to follow…

Bronze horse close to the Musical Quarter,
casted from a copy of the famous Byzantine horse sculptures in Venice;
an installation by Swedish sculptor Sivert Lindblom (1989)

Gallery Opening @Digital Dirt Road

recent work, time-out

For three weeks, the annual members’ exhibition of local artists’ association ARTiE has been on display within the city hall of Eslöv (Skåne county, in the south of Sweden). That exhibition closes today (Monday, January 30th) only to re-open in a digital version at the notable Digital Dirt Road Gallery – a ‘somewhat square and grumpy’ corner of the internet, according to the gallerist himself:

foaje
This virtual gallery is part of ARTiE’s longtime struggle for improving the cultural benefits of Eslöv municipality citizens. Supporting the initiative, I’m delighted to once more be invited to the party:

ARTiE Opening @’Digital Dirt Road’ Gallery
Opening on Monday, Jan 30th, at 5.30pm GMT+1
– open until March 31st, 2023
Welcome!

22

uncategorized

Move with openness. Transcend.

Light Taking Shape

art, recent work

This I Know (beskuren) This I Know; tempera on paper, c. 200×120 cms (cropped on photo); 1988-2022

reconnecting, attuning, integrating

art, recent work

During the Exhibition and Life (reconsidered), a forgotten painting from thirty years ago was brought into the light… Someone found it touching, somehow – because of the lapis lazuli blue? the mere size and shape of the paper? the little “tadpole” figure? the black charcoal circle? I can’t tell. But there it was, for the first time publicly on display.

from day 3 of ‘the Exhibition and Life (reconsidered)’

I was touched, too – reconnecting with the almost forgotten place in my life where this image emerged. A feeling resonating from there to now, setting me in tune again. Urging me to respond from another me. To review the elements – their size, brightness, depth, materiality, tactility; to rethink the proportions and composition; to find a new provider of lapis lazuli pigment; to find a way of mounting the large paper for permanent display.

The lapis lazuli pigment changes in a remarkable way with the changing qualities of light; from the midday or afternoon sky, or from electric lightning. An Orthodox rabbi’s wife passes me a quote from an artist whose name she doesn’t remember: “blue is the light coming into being”.

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We’re still in the undetermined process of integration. Proceeding with care.

Business

art, painting

The driving force of the Exhibition and Life (reconsidered) may have been about re-imagining an existing body of work, and co-creating in the here-and-now; yet, the creative drift is inseparably followed by a shadow called economy. Landlords and art material dealers rarely give their goods away; artists have basic human needs as well. Most of us therefore work part or full time in parallel professions (salaried). Hence, I feel the importance of recognizing when someone steps up, willing to actually pay for the artist’s work; especially when that someone is an individual with limited resources, who just happens to be touched by what they experience. This post is for you – to acknowledge the importance of your support; for the artist, it means encouragement and economic relief. For the artwork itself, it means fulfillment.

above: Snowdrop (left); Spring snowflake (right);
charcoal, chalk and watercolour on paper,
each 120 x 175 cms
below: car packed, heading for home

Dear customers from near and far – I’m deeply grateful for our exchanges: for hours spent together under the hot studio roof, meticulously packing two large drawings for a long car transport; for the spirited talk and delicious ice chocolate cake shared in a beautiful 19th century Stockholm apartment; for all your sensitivity and recognition; and for the influx to my bank account, as well as to Médecins Sans Frontiers (as part of a deal). I hope your purchases keep giving you joy, each day to come!

diary painting 191211 03,
oil and blackboard paint on wood panel;
40,5 x 20 cms

final notes from the Nordic Summer University 2022

time-out

From the grounds and the chapel of Rønningen folkehøgskole
(August 2022)

This journey was finished already two months ago; I found the photos when preparing for the next one. A journey to unchartered places – announcements will be made in due time…

In good company with Laura Hellsten

Notes from the Nordic Summer University II

art, curating, recent work, time-out

During the week-long NSU session, I got engaged in a couple of ‘ad hoc’ projects (in addition to my presentation within Circle 7, which was the ticket to my participation here). The first one happened in the context of a cultural evening.* Together with a number of courageous persons, I staged an updated performance of a multilingual poetry reading first realized in August 2014.**

2014 poster – for full story, see Training the Fundamentals of a Democratic Society

The original project sprung from a poem by Ukrainian author Tanya-Mariya Litvinyuk. In this re-staging, Ms. Litvinyuk is actually present through a sound recording sent from Kyiv the day before; her voice is heard from the laptop at the beginning. Then follows an English translation, read by Dr. Lucy Lyons, after which the English reading proceeds with ten words (all singled out from Ms. Litvinyuk’s poem). Back in 2014, those ten words sparked a collective writing process in a group of civil rights activists, and the poetic result of their joined efforts was translated from English into all languages spoken within the group. Here, I’m reading the Swedish version – followed by a fresh translation into Belarusian by NSU participant Alina Kalachova, created for this occasion. Crucial contributions (although not visible on screen) were also made by Maru Mushtrieva.

photo credit: Alina Kalachova

photo credit: Ami Skånberg Dahlstedt

The multilingual reading evening engaged about 35 attendants, and took place in the school’s chapel.

My second ‘ad hoc’ engagement was in Disa Kamula’s workshop on Co-writing the future, where my contribution was the real-time mapping of an unfolding utopian narrative… From the resulting vision of a bright future, I finally erased all details but three:
…people of all ages…
…essential work… (cleaning up, that is)
…future generations in focus…

Slow walking with an old mother walking with walker

The unknown cleaner with their cleaning trolley

Focusing on the young’uns

Mapping ‘Visionary Tampere Region’ workshop; resulting World Map,
and workshop leader Disa Kamula collecting workshop material afterwards.

What did I gather from this week? Art is knowledge, and artistic research is here to stay. Democratic structures are essential, although never perfect. Disco dancing is fun – thanks, Ami Skånberg Dahlstedt!
And the map is never complete.

—

* The NSU multilingual poetry evening was organized by Lara Hoffman, PhD student at Háskólanum á Akureyri, Iceland; she is also the editor of Ós – The Journal, a magazine which features works of fiction, poetry, creative non-fiction, and artworks in multiple languages.

** The 2014 Evening of Modern Ukrainian Poetry was organized by Yulia Oleksandriv and Julia Shevchenko, in collaboration with Stockholm International Library.

Notes from the Nordic Summer University I

art, recent work, time-out

As July turned August, my Latvian Easter experience brought me further, to Oslo; from an intimate three days’ winter session, to one full week of intense exchange in a much larger group of practitioners and academics within the Nordic Summer University.

It took two different trains, a replacement bus, and finally the ‘trikk’ (Norwegian for ‘tram’) to reach Rønningen folkehøgskole at the outskirts of Oslo.

The NSU is an independent academic institution, since 1950 nomadically alternating between venues in the Nordic and Baltic countries. Among its founders and early pioneers were Johan Galtung – principal founder of the discipline of peace and conflict studies – and Nobel prize laureate physicist Niels Bohr. Already in its beginnings, the NSU manifested the idea of interdisciplinarity; and to this day, it has remained open and playful, yet academically stringent; and (not least) with an interestingly democratic organization, free from carrying much administrative weight.

Glimpses from Rønningen folkehøgskole, run by the YWCA/YMCA of Norway

At this NSU Summer session, ten ongoing study circles gathered around themes such as Urban Studies: Between Creativity and Power; Nordic Environmental Ethics; Decolonizing Social Work... and The experiential in artistic practice and research: methods, knowledges and reflective processes – Circle 7, that is, where I took part. (The eleventh circle is the famous Children’s circle, where participants’ kids gather to have a good time too, and sometimes to contribute to the evening programme.)

photo credit: Ami Skånberg Dahlstedt

Random moments from a week with Circle 7

There was a full schedule almost every day of the week: for each circle, three lectures/workshops daily, followed by a common cultural evening programme, or the gathering of NSU’s General Assembly (where decisions were taken on next year’s activities and new board members and other in-charge functions were elected). In between, we could benefit from taking a walk in the surrounding areas, take a fresh swim in the river Aker… and for one day off, make excursions in the city.