November – silvermonth – extended into gentle December snowlight. A few weeks spent in the studio; a homecoming. Treading lightly into the image.
painting
primary colours / grayzone
art, grayzone, painting, recent work
oil paint on canvas, 200 x 200 cms; five subsequent stages, February – April 2017
Sun setting rapidly.
art, painting, recent work
170224 01; wax crayons on paper, 12×14 cms
170224 02; aquarelle crayons on paper (black), 12×10 cms
End of a long day; stillness, wax crayons. Nightfall.
art, painting, recent work
170223; wax crayons on paper, 12×14 cms
21 x 63 cms III
art, painting, recent work
161202; charcoal, leaf silver, oil and blackboard paint on wood panel
So, this is it, for now (and the actual measure of the painted surface is 61,8 x 20,3 cms, to be truthful). TBC.
21 x 63 cms II
art, painting, recent work
painting 21×63 cms,
charcoal, leaf silver, oil paint and blackboard paint on wood panel;
five subsequent stages
Almost there.
21 x 63 cms I
art, painting
studio work (continued)…or: shit happened, plans changed
art, painting, recent work…and now that my contribution to Satan’s Delirium is up and running with the rest, it’s time for me to land in the studio again. Had scheduled this October mainly for printmaking, but sadly, the graphic department at the Royal Institute of Art suffered from a devastating fire some weeks ago. No person hurt, but dire material damages – above all, a number of students lost all of their works – and since then, the building isn’t safe and nobody is allowed into the workshops except for carpenters and construction workers.
Graphic department at the Royal Institute of Art, september 21st, 2016.
Photo: Tidningarnas Telegrambyrå (TT)
So, serious shit did happen at the RIA. But I was lucky not to have too much stored in those workshops. I can just stay home and take up painting where I left it in September… a very suitable option, in fact.
