Interlude: duet with the setting sun

art, beauty, recent work, time-out

Back in the old Watertower of Gnesta… Collaboration with artists Julia Adzuki and Patrick Dallard (SymbioLab) has been brewing for some time now. Karin Lindström Kolterud – who added the element of ancient sound technique kulning to Resonance Jam #2 – has joined the team. Since last year, a group of people have gathered recurrently in the Watertower to try out its unique acoustic qualities – and during this long hot summer, a number of artist residencies have taken place.

Tomorrow, we’ll launch ANTENN 2018, a two days’ Sound Art Festival. And what an amazing line-up of artists: Linnea Rundgren and Tomas Björkdal with live multichannel sound and image projections, Girilal Baars doing Mongolian overtone singing, jazz/classical duo Johanna Dahl (cello) and Ebba Westerberg (percussion)… not to mention the male voice choir of nearby village Björnlunda – and quite a few more!

Full program here: ANTENN 2018, program

And my part? A contribution to the upcoming performance of Julia and Karin; they will be playing with voice, body, space, and another one-of-a-kind instrument – a wrecked old marine buoy, prepared by Patrick. Julia and I did the lighting… and the setting sun joined us for an hour, turning the watertower into a giant Camera Obscura. What an honour; playing duet with our home star.

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ResonanceJam@Watertower II

art, beauty, recent work

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Gnesta Watertower, Saturday morning, September 23rd; all photos HHW.

Are we all set? Yes! Ok, let’s turn on the lights and open to the public… Here’s Resonance Jam #2. Welcome!

Shades of blue, orange and yellow blending into each other. Bells clanging – sometimes loud, sometimes barely audible. Shadows playing on the walls; reaching all the way up to the ceiling, then quickly diminishing as visitors move around. Reflections from the handmirrors wandering like moons over soft horizons.


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In the afternoon, Julia’s friend Karin shows up. She climbs the stairs quietly and vanishes without anybody noticing. Then her voice comes back to us, expanding to fill the whole tower as she sings us a ‘kulning’ – an ancient herding call, intense and rich in half- and quarter-tones. Originally sung in mountains and forests, the kulning was often echoed over large distances and accompanied by the bells of home-coming cattle. Here, somebody occasionally touches the floating bells, and the octagonal space provides a very characteristic echo… As Karin ceases to sing, a mellow, saturated silence arises. It grows and stays; a moment of rapture, carried out of time. Slowly, we return to ourselves, hoping for more. Nothing happens for a while. Then, when all our expectations have finally dissolved into thin air, Karin takes up a blue and haunting note to give us another improvised session.

Here you can hear Karin Lindström Kolterud performing her ‘kulning’ at Resonance Jam #2:
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The very last guests to arrive – as the tower is already emptying – is a small family, two young brothers and their parents. Peaceful joy reverberates within.

Many thanks to the Water Tower Society for inviting us, for facilitating, documenting and for cinnamon buns; to Karin for the kulning; and to each and everyone who joined us for ResonanceJam #2!

ResonanceJam@Watertower I

art, beauty, recent work

Björkbom Vattentornet
Gnesta Watertower; photo Bengt Björkbom

So, here’s the old Watertower of Gnesta. Built in 1913, today no longer in use – but occasionally open for events, and carefully maintained by a local society of dedicated people… who gracefully invited Julia Adzuki and me to play along a bit more. We happily accepted – of course – and brought our materials to this amazing space for ResonanceJam #2.

At ground level, the ceiling is barely visible; lost in shadows some twelve or fourteen metres above one’s head. The empty water tank is still higher up, and so is the topmost, hidden space… A wooden staircase is spiralling upwards along the octagonal wall. As the space so strongly accentuates verticality, we decided to address it by constructing mobiles to let the bells and silk float… A tribute also to the idea of water. And light projected upwards, maybe?

Bells, feathers, wire, silk, rope, metal tubes, masking tape, spotlights, light filters, mirrors… And what about little handheld mirrors, Julia suggests – to echo the torchlights that were handed out to visitors in the Resonance Jam #1? Yes, but where to find them..?

Drilling and fastening. Attaching wires and doubling them for safety. Adjusting and fixing weights. Climbing the staircase, tying ropes, hoisting and lowering. Stitching fabric and ironing. During these days of preparation, a saying from the ancient Chinese Book of Changes – the I Ching – comes to my mind more than once; at the very moment when all elements in a process are in accordance with dao, “everything acts to further”. This seems to be the case here – despite any clumsiness or confusion, we stumble into functionality and beauty time and over again.

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