Public Commission III; Bob Marley, Conchita Wurst and Wang Di (March – April 2018)

art, recent work

I’ve learnt a lot from this commission; about the existence of acoustic absorbers, for instance.

One of the many professions involved in this renovation (I long ago lost count of numbers) is the acoustic consultant, who provides detailed guidelines concerning the interior soundscape. The drawback of those directions is that the suggested pre-fab acoustic panels would cover most of the coloured back walls, which give each classroom its character… Hmm. The commissioner, the site manager, the architect, the school representative and I discuss the matter. What if the acoustic panels are scaled down a bit, and mounted just below the ceiling – would they still be functional enough? We decide to investigate a bit further, leaving the issue unsolved for now.

Contrary to the other classrooms, the music room is furnished with a site-built wooden panel. As can be seen, it’s made from lathes of different thickness, arranged in a sequence of four: one broad, one thin, two mid-sized; repeat x 14. The visual pattern of the absorber corresponds to some kind of keyboard, or notation of rhythm perhaps. Of course, the surface had to be painted too – it wasn’t part of my commission, really, but I couldn’t keep my hands away…

I decided to use the lilac of the back wall (just a shade lighter) for the bottom and the sides of the lathes. Then the outer surfaces could sport a colour sequence… Hey, couldn’t it be associated to tones somehow? Yes – Chinese music traditionally uses a pentatonical scale, where the notes correspond to white, yellow, violet, red and black. Now that’s a pretty unconventional palette; I’ll give it a try. Furthermore, the colour sequence of five, overlapping the form pattern of four, will produce a pleasant cross-rhythm.

Then there was the carpenter, who suggested I paint the whole thing in red, green and yellow instead, as a tribute to reggae music – well, I could at least sneak such a triplet in somewhere. And isn’t there some other combination of colours connected to a certain kind of music..? I ask around, but get no positive answer. But I come to think of flag that deserves to be better known: the transgender one in pink, white and blue.

Well, Conchita Wurst isn’t transgender, but she is a stunningly beautiful drag queen and an inspiring artist. Salute to Conchita! Salute to Bob Marley and his legacy! And, thinking of legacy – Cecilia Lindqvist, my teacher in Chinese, studied music in Beijing in the early 1960’s. Her teacher then was the renowned qin player Wang Di. Salute to Wang Di!

2015-03-27 Back in the Painting Studio

art, recent work

150327 1bTwo days ago, a feedback session ending with a secret waffle party in the smithy… Today, things are jazzing me around: down goes the rag, up come the prints and the plates. It’s fun, but also frustrating; I cannot yet see what’s really going on.

2015-03-23 Back in the Painting Studio

art, recent work

150323 02b

This time, I needn’t draw the grid because I know it anyway. I concentrate on the circle (or close-to-circle, to be exact). One laborative space isn’t enough, I need three; but, in duplicating the circle, I realize the wall isn’t really big enough. Fine, I’ll make the circles overlap then. One for the metals, one for the prints. And the third one for a text, as a beginning.

150323 03b

2015-03-20 Back in the Painting Studio

art, recent work

150320 02b

Today is the second day of the Light Symposium, and the day of the spring equinox. And – remarkably – a partial solar eclipse is happening as well, at 11.00 am here in Stockholm. Grey clouds veil the celestial bodies, just enough so that everybody could follow the event with the naked eye. People crowd in the streets as the light dims. A passing shade, the sun disc turned into a crescent slowly rocking from left to right, a distant ship in the immense seas above us… then, it’s over.
A little later, I leave the symposium for the studio; leave lectures for artefacts.

150320 03b

2015-03-19 Back in the Painting Studio

art, recent work

150319 01b

The Lighting Department at the Royal Institute of Technology is hosting an international Light Symposium in Stockholm. In the morning, I attend together with a group of students and teachers from the Royal Institute of Art… and in the afternoon, I hurry back to school for another two weeks in the painting studio. Bringing back the metal plates, adding the litho and intaglio prints I’ve made in the meantime, nailing the plummet to the wall once more.
Mmmm-hmm.