Public Commission IV: Light Fibres, Dark Fibres (April – May 2018)

art, recent work

Having finished painting the acoustic diffuser, I return to the alcove with the circular window. The bench is there, waiting. The dyed silk is now being processed by Anna Wahl Gran and her co-workers at Högklint; felted with dark fine wool into large swathes of fabric… I receive one magnificent piece after another, and store them in the adjacent classroom. And I’ve got a set of optic fibres, a “Starry Sky Set”, ready to install. This requires some planning, a star map, a ladder and a good drilling machine, a staple gun, non-acid wood glue, a lot of tooth picks, and patience.

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First, I mark out positions for each of the 81 individual fibres, arranged to resemble some of the constellations of the Northern and Southern skies. Then, I remove the wall boards to drill the holes. That made, I stretch and fasten the felted pieces over the plywood. Toothpicks, pushed in from the backside, show where the holes are and make way through the strong fabric where the drilling machine would be useless.

Meanwhile, the fibres have been provisionally attached to the original brick wall. Now comes the patience part…

With the felt covered wall-boards loosely set in place, I can squeeze one arm in from behind to manipulate the thin fibres into their holes – working literally by fingertip sense, not being able to see through wood – and meet with the acrylic toppings from the front side. Applying the proper kind of glue, again by the help of toothpicks, and trying not to loose any of those minimal fixtures, measuring 3 by 5 millimetres…

The whole process takes me three full weeks or more, but finally I’ve arrived. And it works!

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