For the Enrichment of Society III

art, curating, recent work

So, this is the second one of KonstFunk exhibitions x2. We’re happy to present eighteen woven tapestries by Adrian Nehard – on display at Södertälje City Hall until April 20th. This body of work relates to The Songs of Maldoror (written by the self-appointed comte/count Lautréamont and originally published in 1868); reviving their poetic imagery in contemporary colours and textures, by the use of rags, pearls, paint, and embroidery.

“Songs of Maldoror” tapestries by Adrian Nehard
at Södertälje City Hall, March 2020;
photos by Christofer Martinson

The exhibition is curated – largely by my colleague Eva-Karin Planman – to form an open labyrinth, hovering around a flowform water sculpture by Nigel Wells. On Friday March 13th, Adrian Nehard met practising alchymist and artist Lisa Jeannin in an ad-lib Artist Talk.

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Lisa Jeannin with Tarot card in front of tapestries;
photo Christofer Martinson

The audience followed closely, as Adrian and Lisa walked and talked their way along an evolving path of strange and complex representations. For a full hour, we were carried away by Adrian’s set of flying carpets – ending up in a French-Swedish reading of a passage from the Songs of Maldoror.

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Lisa Jeannin and Adrian Nehard performing their Artist Talk;
photos by HHW.

Thank you, Lisa, for joining! Thank you, Adrian, for sharing your outstanding work!

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Lisa Jeannin, Helena Hildur W, Eva-Karin Planman;
photo by Christofer Martinson

for the Enrichment of Society II

art, curating

Last week, I and my co-curators Eva-Karin Planman and Sabine Recht set up two exhibitions as a part of the KonstFunk project in Södertälje. In Luna, the municipal culture center, we gathered works by some 30 creators to form a group show – the first one of KonstFunk exhibitions x2

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…presenting a range of techniques and expressions; from textile craft to art remakes, to icons, self portraits and paintings emerging out of colour itself…

What is the meaning of creativity?

An absurd question, of course. Someone plays with colour and materials – glossy, sticky, tufted – having no fixed thoughts about the final result. Another expresses a deeply personal experience; a feeling, an impression, a dream. A third one designs a “thing of beauty” to enhance everyday life… Intentions and situations differ. Distinct needs cannot easily be compared or evaluated towards each other.

The meaning of creativity can also be subject to change. What determines labels such as “therapy”, “craft”, “hobby” or “art”? Who has the mandate to categorize?

To master a language takes training and trying, again and again; art makes no exception. It needs a framework of meaningful understanding to mature into richness.

Broadening one’s technical abilities builds self-reliance and sparks ideas. Copying existing artworks is a common method for improving artistic awareness, skill and insight. Although copying does not boost ego, one’s personality will (most probably) come through in many gracious ways.

Whoever takes their work – or playing – deeply serious, also deserves an equally serious reception. Being creative together, we will all contribute to the enrichment of society…

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Also, during this same week, a solo show by artist Adrian Nehard was prepared in the City Hall – featuring eighteen woven, embroidered and (partly) painted tapestries.

More to come…

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for the Enrichment of Society I

art, curating

In 2002, I first met with some of the most ingenious and brave people I know. From that point onwards, the Land of Mir evolved; an imaginary space, where words and pictures, all kinds of creative designs and social interactions, became possible and meaningful. Functional variations were many, but in this setting the only disability would be prejudice and intolerance (which, in fact, very rarely occurred).

As an artist and a human being, I am deeply grateful for the experiences I’ve gathered over the years in the Land of Mir. And from this perspective – shared with others – the KonstFunk project has been launched; an impulse for the local community to fulfill Article 30 of the United Nations’ Convention on the Rights of Persons with Disabilities, which states (among other things) that

States Parties shall take appropriate measures to enable persons with disabilities to have the opportunity to develop and utilize their creative, artistic and intellectual potential, not only for their own benefit, but also for the enrichment of society.

On Friday, February 7, KonstFunk arranged a half-day programme for employees from places where people with functional variations work, live and study. A lecture by Anneli Aaltonen Krantz (artistic leader at Inuti Foundation) was followed by artist talks with Magnus Östling (Stockholm) and Adrian Nehard (Järna). Next, participants were invited to try the tactile instruments of SymbioLab, to marvel at the felted pieces from Anna Gran‘s studio at Högklint (Mölnbo), and to delight in the wide range of expressions in icons, self portraits and still life paintings made at Klockargården (Järna) with Sabine Recht as the artistic leader.
Pictures from the occasion were shared by Södertälje konsthall (municipal art gallery):

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Thank you, Södertälje konsthall, for hosting! Now we’ll see where this takes us… The next steps will be taken in a few weeks.

Program Inspirationsdag fm

Art’s Birthday 2020@Watertower

art, recent work, time-out

Conceived in 1963 by Fluxus artist Robert Filliou, Art’s Birthday is celebrated around the world on January 17th. This year, Ljudtornet decided to join in – adding Gnesta to the motley sequence of live-streamed and broadcasted performances and happenings taking place from Tokyo to Vancouver via a number of places; Tblisi, Helsinki, Kaunas, Chotěboř, Freiburg, Gent, Villefranche-sur-Mer, London, Swansea, Brooklyn, Edmonton…

arts birthday @ watertower

As darkness fell, the old watertower of Gnesta once more resonated with sound and light; a follow-up on sound/art festival ANTENN 2019. This time, acute sorrow was also present as bushfires raged in Australia; we decided the event be done in benefit for bushfire relief (scroll down for links).

The Art’s Birthday programme included stunning vocal performances and viola played by Anka Draugelates, as well as voice improvisations together with Karin Lindström Kolterud; Julia Adzuki presented a preview from Styx Lament – a project recently realized in the Tasmanian rainforest of Styx Valley, documented by Tomas Björkdal. Patrick Dallard of SymbioLab and I framed the performances with a light and sound installation… Even with the tower unheated, a gracious audience warmed up the space with attentive listening – and finally followed Anka Draugelates in a joyful, improvised chorus circle.

Full-time live documentation:
Art’s Birthday Bushfire Relief Concert (1): Patrick Dallard DJ’ing with dripping water & steam…
Art’s Birthday Bushfire Relief Concert (2): Anka Draugelates playing and singing in response to Watertower; Anka Draugelates and Karin Lindström Kolterud performing Swedish folk song Limu limu lima (0:04:33); Julia Adzuki presenting the Styx Lament project (0:15:00); Anka and Karin voice improvisation (1:00:00); Anka Draugelates solo (1:05:43); joyful closing circle song (1:15:09)

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Art’s Birthday Festive Water Buffet / Helena Hildur W.

For donations to bushfire relief funds:
WIRES Wildlife Rescue
Fire Relief Fund for First Nations Communities

Joaquin Romero, Robert Filliou 1972
Robert Filliou in 1972 (photo: Joaquin Romero)

 

 

 

 

 

 

Interfaith Dialogue by Images

art, recent work, teaching, time-out

Before words, there are images. Before reason, there’s love and courage. Before theology, there’s faith.

Radiant autumn leaves and crisp air outside; indoors, preparations are almost finished. My colleagues Jana and Sofia are carrying chairs around. Samia is away, waiting at the bus station to greet the participants. I’m laying a table with needles and threads of all colours; making a display of embroidery tambours along with pieces of cloth, cut to fit.

Morning workshop, preparations; photos Jana Jakob, Sofia Nordin

Just before 10am, they all arrive: twenty women of different faiths, ages and backgrounds, walking down the long slope to the school building by the lake. After coffee and an introduction round – followed by a moment of silence – we gather in the studio. Everybody is invited to use needle and thread to “draw” what they bring into this day of Art, Sisterhood and Interreligious dialogue.

Morning workshop: capturing inner images by embroidery;
photos Jana Jakob, Sofia Nordin

Another 45 minutes of concentration, intermixed with laughs and chatting… and so, the embroideries are more or less ready for presentation, accompanied by a few words from the maker.

Most of us have never met before, but as as the day passes, we’re getting to know each other; our inner worlds revealed, by words and images.

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Images from the soul; photos Jana Jakob, Sofia Nordin

Next comes lunch – and then another round of sharing. We take turns in listening to each others’ stories. Divided into smaller groups, and tutored by Jana, we practise awareness to factual experiences, to emotions and to inherent values; an exercise, which demands concentration but nevertheless leaves us light in spirit.

191005 42 JJCoffee and fruit break; photo Jana Jakob

For the afternoon workshop I have prepared large sheets of cardboard, washing them repeatedly with Chinese ink. Now they cover a row of tables, assuring there’s space enough for everyone to stand side by side and paint.

First, some experimenting; trying out how wax and pastel crayons, acrylic paint and tissue paper go together with the dark background. Then, take a step back and look for what could emerge from those colour samples… Everybody takes her pick of a new starting point, and begins to work it out. As the individual paintings are expanding, brushstrokes suddenly meet and begin to intersect. How to handle the encounter? In some places, colours blend into each other. In other places, they form distinct edges. Then, again, some bordering fields may be overlayed by stars or connecting dots…

The larger picture unfolds. An adventure.

Painting workshop, process photos (above, photos by Jana Jakob and Sofia Nordin);
in-between spaces (below, photos HHW.)

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The concept for this day of interreligious, feminist dialogue sprung from experiences of an ongoing study circle in Scriptural Reasoning; from a yearn for expanding methods and deepen insights. Also, from the awareness that love and courage can be recognized across cultural borders; that personal faith can be revealed without argument; that images can come to life.

Konst, systerskap & dialog

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ANTENN 2019

art, curating, recent work, time-out

Back in 2017, a happy collaboration with Julia Adzuki resulted in a Resonance Jam in the old Watertower of Gnesta; a historical venue offering unique acoustic and spatial qualities. Soon, the concept developed into a broader platform as Patrick Dallard of SymbioLab and Karin Lindström Kolterud joined in. Artist group Ljudtornet (“Soundtower”)  formed in 2017/2018, and opened the Watertower to a Sound/Art festival in late August: ANTENN 2018. On a limited budget, the festival managed to present a broad range of sound artists and musicians – all of which declared their wish to return for a next time. One of them, Tomas Björkdal, eventually became a permanent member of the Ljudtornet group and played along with the rest of us…

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Ljudtornet at play in the Watertower;
photo HHW.

And so, ANTENN 2019 was conceived… Thanks to the Swedish Performing Arts Agency and the Swedish Arts Grants Committee – in addition to the municipality of Gnesta – we could work on a considerably larger budget, and thus managed to invite residency artists throughout the summer.

Serious business in ANTENN 2019 administrative board;
photo credit Anka Draugelates

Come September, ANTENN 2019 finally staged two days of live performances and installations by 40+ artists from Sweden and abroad; once more filling the Watertower with resounding waves of light and sound. For anyone who couldn’t be present, the whole programme was live streamed over web radio (and listened to even as far away as Singapore).

My contribution was largely behind the scene. As a painter, I sometimes think of my craft as the faculty of listening with the eyes… here, I had a beautiful opportunity to sit quiet and enjoy the heartbeat of the Watertower, as rendered by so many fervent and sensible performers. Just listen: