For the third year in a row, ANTENN sound/art festival has taken place in Gnesta’s old water tower – this year as a digital event. As before, the initiative was realized through Ljudtornet (the Soundtower); and it has been some intense weeks for the five of us constituting the group – Karin Lindström Kolterud, Tomas Björkdal, Patrick Dallard, Julia Adzuki and myself.
When our planning for ANTENN 2020 began, back in the fall of 2019, we had an urgent feeling that time had come to level up; to set up a collaborative process, with the intent to actually create artwork in situ. Next, a double theme emerged; the element of water as subject matter, and lament as a structural idea and modality. We identified places in the surroundings, embodying certain qualities – the lake, the rivulet, the wellspring, the sewage treatment plant – and we invited eight artists/musicians to a seminar in late August.
Come August 21st, there’s still some groundwork to be done. Tomas is busy checking the technical equipment and mowing the grass, Karin providing maps and drafting a time schedule, Patrick shopping and cooking… In the evening, our guests arrive – bringing their instruments and devices, their artistic experiences, their openness and awareness.
Next morning, Anka Draugelates joins us on zoom from Germany, and Tuomas Rounakari from Finland – sharing his knowledge of lament in ancient Karelian tradition. Katt Hernandez has brought equipment for field recordings along with her fiery violin, Torbjörn Grass his grassophone and Erik Peters his perceptive listening and composer skills. Björn Ola Lind presents his work with indigenous communities in Australia and the Arctic, and with Ljudtornet’s sister initiative Cisternen – the Tank in Härnösand. The seminar proceeds; Julia reads her text On Lament and the concept gradually becomes more familiar to all of us. We once more enjoy Patrick’s French galettes, and find our ways to the water and to each other in fluctuating constellations. Johanna Dahl and John Beck process their impressions in improvised musical dialogue…
Sunday August 23rd: we gather in the water tower, to try out some first thoughts and impulses. The means of expression vary wildly in this heterogenous group: from voice and instruments to performance and self-built sound installations; from acoustic to electronic, to herding call, jazz, contemporary art music, sacred and classical influences, folk music and indigenous rituals.
The SoundWavesLament is taking shape. Communication flows. Isn’t it marvelous?
Afterwards, we all sit down outside the tower… Time for a photo op; time to conclude. Julia presides by the whiteboard, as the seminar comes to a close. We end up with a draft for the week to come – and for the 38 hours’ performance we’re heading for.
To be continued…