for the Enrichment of Society

art, beauty, painting

In 2002, I first met with some of the most ingenious and brave people I know. From that point onwards, the Land of Mir evolved; an imaginary space, where words and pictures, all kinds of creative designs and social interactions, became possible and meaningful. Functional variations were many, but in this setting the only disability would be prejudice and intolerance (which, in fact, very rarely occurred).

As an artist and a human being, I am deeply grateful for the experiences I’ve gathered over the years in the Land of Mir. And from this perspective – shared with others – the KonstFunk project has been launched; an impulse for the local community to fulfill Article 30 of the United Nations’ Convention on the Rights of Persons with Disabilities, which states (among other things) that

States Parties shall take appropriate measures to enable persons with disabilities to have the opportunity to develop and utilize their creative, artistic and intellectual potential, not only for their own benefit, but also for the enrichment of society.

On Friday, February 7, KonstFunk arranged a half-day programme for employees from places where people with functional variations work, live and study. A lecture by Anneli Aaltonen Krantz (artistic leader at Inuti Foundation) was followed by artist talks with Magnus Östling (Stockholm) and Adrian Nehard (Järna). Next, participants were invited to try the tactile instruments of SymbioLab, to marvel at the felted pieces from Anna Gran‘s studio at Högklint (Mölnbo), and to delight in the wide range of expressions in icons, self portraits and still life paintings made at Klockargården (Järna) with Sabine Recht as the artistic leader.

Thank you, Södertälje konsthall, for hosting! Now we’ll see where this takes us… The next steps will be taken in a few weeks.

Program Inspirationsdag fm

ANTENN 2019

art, recent work, time-out

Back in 2017, a happy collaboration with Julia Adzuki resulted in a Resonance Jam in the old Watertower of Gnesta; a historical venue offering unique acoustic and spatial qualities. Soon, the concept developed into a broader platform as Patrick Dallard of SymbioLab and Karin Lindström Kolterud joined in. Artist group Ljudtornet (“Soundtower”)  formed in 2017/2018, and opened the Watertower to a Sound/Art festival in late August: ANTENN 2018. On a limited budget, the festival managed to present a broad range of sound artists and musicians – all of which declared their wish to return for a next time. One of them, Tomas Björkdal, eventually became a permanent member of the Ljudtornet group and played along with the rest of us…

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Ljudtornet at play in the Watertower;
photo HHW.

And so, ANTENN 2019 was conceived… Thanks to the Swedish Performing Arts Agency and the Swedish Arts Grants Committee – in addition to the municipality of Gnesta – we could work on a considerably larger budget, and thus managed to invite residency artists throughout the summer.

Serious business in ANTENN 2019 administrative board;
photo credit Anka Draugelates

Come September, ANTENN 2019 finally staged two days of live performances and installations by 40+ artists from Sweden and abroad; once more filling the Watertower with resounding waves of light and sound. For anyone who couldn’t be present, the whole programme was live streamed over web radio (and listened to even as far away as Singapore).

My contribution was largely behind the scene. As a painter, I sometimes think of my craft as the faculty of listening with the eyes… here, I had a beautiful opportunity to sit quiet and enjoy the heartbeat of the Watertower, as rendered by so many fervent and sensible performers. Just listen: