Waiting for spring temperatures, I relocated from my studio to the graphic department at the Royal Institute of Art; a detour, but a productive one. In painting, I have been blending red, yellow and blue to achieve neutral gray shades. Now, using lithography, I print overlapping fields of  the same primary colours in various sequences. The resulting hues are all but neutral, and (more interesting) they turn out very different according to the order in which they’re printed.

red and blue on yellow; litho print on paper

yellow and blue on red; litho print on paper

red and yellow on blue; litho print on paper