Praxis of Social Imaginaries, Winter session 2023 (Oslo)

art, recent work, time-out, upcoming

Last month’s notes from the conference in Åbo/Turku briefly mentioned a new research project launched by Laura Hellsten. Here’s a little more on that…

Laura’s scientific approach is shaped by her dual competence as a dancer and a Doctor in Systematic Theology. While she holds a position at Åbo Akademi University, part of her current research will be conducted within the framework of the Nordic Summer University (aka the NSU). Actually, this project has already begun; in early March 2023, the first gathering of NSU Circle 3 Praxis of Social Imaginaries; Cosmologies, Othering and Liminality took place in Oslo. Lindsey Drury – post-doc and co-facilitator of this study circle – is an early modernist historian, and an educated dancer as well. Their common work evolves around mediaeval accounts from travels into ‘unknown lands’; aiming at transdisciplinarity, the methodology incorporates reading aloud, various modalities of movement, academic lectures and discussions, and…

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The Hereford Mappa Mundi – a mediaeval world map,
conceived in the very place where Gerald of Wales spent the last part of his life (although nearly a century later) –
presented in a keynote lecture by historian Line Cecilie Engh; picture made available by Wikimedia Commons

…and more? Future will tell.

In this first Praxis session, a number of scholars and artists from different fields and places processed the tales of Gerald of Wales: a monk travelling uncivilized Ireland by the end of the 12th century – reporting back to his learned colleagues and to the English king; picturing Éire and the Irish through a lens of curiosity, religious zeal and practical political thinking.

Here’s my own recap from our five of days walking, talking, listening, disputing and dancing in wintery Oslo:

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Domus Theologica (University of Oslo) hosted the event

Streets of Oslo – a signpost pointing the way to a bomb shelter;
Saint Olav guarding sewages and waters underground; icy footway; a cool cat by night

Saint Olaf, king of Norway, accompanies us, as we walk the streets – occasionally trodding along his old pilgrimage path, leading all the way from here to Olaf’s grave in Nidaros (Trondhjem). In his youth, Olaf sailed the Baltic and the North Sea as a fierce warrior, before being baptized and returning to Norway as a Christian king. His image, cast in iron, can be seen on every lid covering the descents to the city’s system of underground sewage pipes. The waters that have cleaned our bodies – or passed through them – is kept from sight and smell in those sewers. Meanwhile, Aker river running through the city, once heavily polluted, is now restored to be the ‘green lung’ of the urban area…

How can one atone for the wrongdoings of history? As we walk and talk, I think this may be the beginning of a pilgrimage.

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Limestone wall of Old Aker Church – the oldest existing building in Oslo,
erected by the mediaeval pilgrim route

For the closing summary, I did an ad hoc mapping on a classroom blackboard – picturing our experiences as a group: reading Gerald’s tales, listening to Viveca Servatius’ lecture on Hildegard of Bingen, seeing lovers in a churchyard, meeting dogs friendly and angry, slipping and sliding in a park, dancing between graves… Other participants helped me fill in the empty spots.

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Next gathering will take place in Palanga, Lithuania, when July turns August. See you there!

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final notes from the Nordic Summer University 2022

time-out

From the grounds and the chapel of Rønningen folkehøgskole
(August 2022)

This journey was finished already two months ago; I found the photos when preparing for the next one. A journey to unchartered places – announcements will be made in due time…  

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In good company with Laura Hellsten

Notes from the Nordic Summer University II

art, curating, recent work, time-out

During the week-long NSU session, I got engaged in a couple of ‘ad hoc’ projects (in addition to my presentation within Circle 7, which was the ticket to my participation here). The first one happened in the context of a cultural evening.* Together with a number of courageous persons, I staged an updated performance of a multilingual poetry reading first realized in August 2014.**

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2014 poster – for full story, see Training the Fundamentals of a Democratic Society

The original project sprung from a poem by Ukrainian author Tanya-Mariya Litvinyuk. In this re-staging, Ms. Litvinyuk is actually present through a sound recording sent from Kyiv the day before; her voice is heard from the laptop at the beginning. Then follows an English translation, read by Dr. Lucy Lyons, after which the English reading proceeds with ten words (all singled out from Ms. Litvinyuk’s poem). Back in 2014, those ten words sparked a collective writing process in a group of civil rights activists, and the poetic result of their joined efforts was translated from English into all languages spoken within the group. Here, I’m reading the Swedish version – followed by a fresh translation into Belarusian by NSU participant Alina Kalachova, created for this occasion. Crucial contributions (although not visible on screen) were also made by Maru Mushtrieva.

The multilingual reading evening engaged about 35 attendants, and took place in the school’s chapel.

My second ‘ad hoc’ engagement was in Disa Kamula’s workshop on Co-writing the future, where my contribution was the real-time mapping of an unfolding utopian narrative… From the resulting vision of a bright future, I finally erased all details but three:
…people of all ages…
…essential work… (cleaning up, that is)
…future generations in focus…

Mapping ‘Visionary Tampere Region’ workshop; resulting World Map,
and workshop leader Disa Kamula collecting workshop material afterwards.

What did I gather from this week? Art is knowledge, and artistic research is here to stay. Democratic structures are essential, although never perfect. Disco dancing is fun – thanks, Ami Skånberg Dahlstedt!
And the map is never complete.

* The NSU multilingual poetry evening was organized by Lara Hoffman, PhD student at Háskólanum á Akureyri, Iceland; she is also the editor of Ós – The Journal, a magazine which features works of fiction, poetry, creative non-fiction, and artworks in multiple languages.

** The 2014 Evening of Modern Ukrainian Poetry was organized by Yulia Oleksandriv and Julia Shevchenko, in collaboration with Stockholm International Library.

Notes from the Nordic Summer University I

art, recent work, time-out

As July turned August, my Latvian Easter experience brought me further, to Oslo; from an intimate three days’ winter session, to one full week of intense exchange in a much larger group of practitioners and academics within the Nordic Summer University

It took two different trains, a replacement bus, and finally the ‘trikk’ (Norwegian for ‘tram’) to reach Rønningen folkehøgskole at the outskirts of Oslo.

The NSU is an independent academic institution, since 1950 nomadically alternating between venues in the Nordic and Baltic countries. Among its founders and early pioneers were Johan Galtung – principal founder of the discipline of peace and conflict studies – and Nobel prize laureate physicist Niels Bohr. Already in its beginnings, the NSU manifested the idea of interdisciplinarity; and to this day, it has remained open and playful, yet academically stringent; and (not least) with an interestingly democratic organization, free from carrying much administrative weight.

Glimpses from Rønningen folkehøgskole, run by the YWCA/YMCA of Norway

At this NSU Summer session, ten ongoing study circles gathered around themes such as Urban Studies: Between Creativity and Power; Nordic Environmental Ethics; Decolonizing Social Work... and The experiential in artistic practice and research: methods, knowledges and reflective processes – Circle 7, that is, where I took part. (The eleventh circle is the famous Children’s circle, where participants’ kids gather to have a good time too, and sometimes to contribute to the evening programme.)

Random moments from a week with Circle 7

There was a full schedule almost every day of the week: for each circle, three lectures/workshops daily, followed by a common cultural evening programme, or the gathering of NSU’s General Assembly (where decisions were taken on next year’s activities and new board members and other in-charge functions were elected). In between, we could benefit from taking a walk in the surrounding areas, take a fresh swim in the river Aker… and for one day off, make excursions in the city.

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…to be continued…


Photo credit: Elina Saloranta

Easter Experience

art, recent work, time-out

To my joyful surprise, I recently got the opportunity to attend a Winter Symposium with the Nordic Summer University. It took place in Latvian countryside, close to a natural reserve (and out of reach for the internet).
The venue, of course, is an extremely powerful tool in the set-up of such a gathering; framing the whole process, contributing to how knowledge is produced, shared and interpreted.

The overall theme for the NSU Study Circle 7 is The experiential in artistic practice: methods, knowledges and reflective processes. Over three days of Easter, a lovely bunch of artistic researchers, academics and practitioners presented their research and shared practices – as well as hot sauna and icy swims.

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Learning about feminist strategies by printmaking, about regenerative farming in Latvia as a base for textile art, and the importance and implications of Wanderlust… Learning from Finnish and Latvian dancers, British artists, a theatre director from Tampere and a Polish philosopher… This has been a unique and inspiring experience in so many ways – not least thanks to Ulla, our exceptional chef! I hope to meet again…

…as I hope for peace, for human awareness towards all earthly beings, and the rebirthing forces of spring.

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