From blue to rose to yellow; in the tiny hallway, the cool ultramarine and caput mortuum tints were changed out for raw terra di Siena, to add more warmth to the pompeiian red (already in itself a gentle, warm earthen tone).

In the kitchen, a light first colourwash with red was through the following layers turned to a pale clear yellow; one final layer of ultramarine violet, almost invisible, closed the circle.