Constantia diary: Lerwick – Bergen – Stockholm

time-out

Leaving t/s Constantia and Shetland in the morning of July 23, 2011. A day-and-night’s stopover in Norway; where, the day before, one man’s loneliness and fear had turned him into a cowardly mass murderer. And where – that day and afterwards – millions rejected to be ruled by that fear.

Sites are real, therefore passages exist. Languages are real, therefore translations exist.
My heartland is my body and its history of moments; my people are those who – although constantly erring, like myself – believe in love and respect.

One heaven. One earth.

Constantia diary: Westray, Orkney

time-out

Apart from anchorwatches and cooking, there are few duties as long as we’re in harbour. Free hours are often spent reading or playing cards, and some of the trainees organize a chess tournament. Having joined a project group back in Sweden, I brought with me one particular book, Catching the Light by American physicist Arthur Zajonc; a history of the evolving perceptions of light by religion, art and science… Or, as  it’s put in the subtitle: “the Entwined History of Light and Mind”. I have undertaken to translate one or more of its chapters, so right now, I follow Einstein in his Gedanken-Experimente, running with light… Occasionally, I turn to the chessplayers asking for their opinions on linguistic matters, and get some good advice.
Within a day or two, the wind and sea calms down, and finally we take leave of Stornoway – now heading for Lerwick. On the way, we make a short stopover at Orkney. This is where three of Constantia’s trainees come from, and one of them is now leaving our ship to return home. On Westray, we make land at an empty pier by a desolate ferry station, and soon Kieran’s father and brother come to pick him up. Kieran climbs down from t/s Constantia to the sturdy, fast motorboat of his father’s; one sea, two worlds. The two captains exchange some appreciative words, and we part again. Our next leg is for Lerwick, Shetland.


110721 Stornoway to Westray; watercolour on paper, 15 x 15 cms


Constantia Diary: Stornoway

time-out

A few of the Lewis Chessmen (93 in all); picture credit National Museum of Scotland.

We’re staying a couple of days in Stornoway, and getting acquainted with the place. Learning to operate the washing-machines at the Crew Centre, visiting the shops where Harris tweed and kilt outfits are abundant. A little town like this one is habitually centered around its church… here the stranger easily gets confused when spotting another Church or Free Church of Scotland with almost every turn around the corner. Having passed four or five of them, I end up at the Nicholson Institute, where – marvelously! – just now, the whole hoard of 12th century Lewis Chessmen are on display. Made in Norway, they traveled to the Isle of Lewis where they were hid, and lost, to reappear some six or seven hundred years later.  Stornoway is almost their hometown, not far from the site where they were found. Or not… the stories differ, and guesses are many.
Each piece is skillfully and caringly formed into a distinct individual; expressions vary from pensive to gloomy, to angry (just look at the berserk warders biting their shields!) or benevolent…

I spend some time with them before our leaving, but certainly not enough. I’m lucky, though; on our scheduled depart, strong winds causes a major outburst of seasickness among the trainees on board. Captain Sören and his mates kindly decide to return and await a calmer sea before leaving for Orkney and Shetland. I’m doubly grateful.

Having paid another visit to the Nicholson Institute, I continue to the Council Chamber of the Western Isles, where Doctors Jonathan Benjamin and Andy Bicket from Wessex Archaeology (Coastal and Marine Department) give a presentation. Their theme is “marine archaeology in submerged coastal areas” – which turns out to be fascinating. A scientific map of this area some 10 000 years ago shows the Hebrides, Orkney and Shetland to be a landmass more or less connected. Those “submerged coastal areas” are nothing less than the lost landscapes of European pre-history; the forests and fields of mesolithic people in Northern Europe, now buried underwater. This was long before the Lewis chessmen – they are but one link in a much longer chain. The public is listening closely, and when the lecture is finished by a call for local knowledge on sites and traditions, there is ample response.
Walking back to the harbour, I see the waters disappearing into darkness. I belong to an ancient family. This is our home.


110716 from Stornoway; watercolour on paper, 15 x 15 cms

Constantia diary: Tobermory to Oban

time-out

110714 Tobermory;
110715 Tobermory to Oban;
watercolour on paper, 15 x 15 cms

From Greenock a night’s sail to Port Ellen on Islay, anchorwatch during the dark hours and leaving again in the dull light of morning. Then twenty hours of more or less rainy weather to Tobermory, Isle of Mull. Once more anchoring and leaving with daylight, now for Oban on the mainland.
Luckily, the atmosphere in Constantia’s cabin is warmer and more friendly than the surrounding skies.

Voice of Colour – Colours of the Voice III

art, recent work





Another three days passed. Each morning, the workshop started out by a quiet walk through the garden, followed by individual work on some chosen spots. Small sketches on paper transform into large collective paintings on silk screens, some placed outdoors and some in the music room.
The see!colour! exhibitions provides us with an excellent pedagogical instrument; within a few steps’ reach, we could meet the distinctive approaches of Hilma af Klint’s esoteric painting as well as the blackboard drawings of Rudolf Steiner.
On midsummer night’s eve, we spent a full two hours sitting or lying down in James Turrell’s Skyspace; experiencing a kind of illusionistic light-space where an opening above us turned into a floating coloured body, and the blue of the sky changed in turns into yellow, green or grey.
Thanks to Eva-Karin Planman, we could also bathe ourselves – morning and afternoon – in the living light of two stained glass windows at the nearby Vidar clinic; one green from iron, the other rose-purple from pure gold.


all photos by HHW.

Voice of Colour – Colours of the Voice II

art, recent work

Here we go – despite Sinikka’s falling ill, the workshop takes place more or less as planned.

We started out by a walk in the garden park in Ytterjärna, stopping by the different characteristic spaces – or ‘rooms’, even; the hilltop, the little islets in the system of ponds, the seashore and the rosegarden… finally ending up in Almandinen music room for tea and talk.
And then some basic colour exercises: collective painting with crayons on paper, where the materials and creative process itself  play the leading part – and our different  temperaments disclose themselves.
To finish, one participant suggested that we improvise singing in a similar way. And so we did.

I really look forward to see where the group will take this workshop…