People gathering at Clarion Hotel. Booths are being painted, artist’s talks planned. By a wall stands a suitcase, not yet unpacked, from Berlin? Umeå? or Jerusalem? Low-intensive preparations, quiet movements.
recent work
quiet days/diary painting V
art, recent workquiet days/diary painting IV
art, recent workquiet days/diary painting III
art, recent workquiet days/diary painting II
art, recent workQuality and Research III
art, recent work, teachingin all things we learn from those we love
How do we learn?
How is quality recognized?
quiet days/diary painting I
art, recent workQuality and Research II
art, recent work, teachingBubble foil covering the windows, and a stout electrical heater in the atelier; temperature is climbing slowly. But I still can’t get any connection between camera and computer.
‘Qualitative Research’ may be described as research which is not primarily dealing with quantitative data (such as can be measured and treated stathistically), nor aiming at ‘generalizability’ or ‘objective truth’; it is rather interested in ‘perceived’, ‘constructed’, or ‘created’ truth – though not necessarily denying the value of the ‘objective’ or of quantitative methods.
It may be claimed that art in itself is pure qualitative research.
However, in the context of this course (see previous post) with visiting professor Liora Bresler from the University of Illinois, qualitative research is understood through the theory and practise of academic tradition. There seems to be some confusion about the concept Aesthetic-based; whether it refers to the setting – the site or object of observation – or rather if it points to a mode of perception to be cultivated by the partakers.
I believe this initial – opening – confusion is good.
Quality and Research I
art, recent work+4°C in the atelier, camera won’t connect to computer… I’ll deal with that later; right now, I am a student attending a course at Stockholm University – Aesthetic-Based Qualitative Research. Oh, These Gorgeous Capitals!
peace and war
art, recent workFellini; graphite pencil on paper, 21 x 15 cms
Went to visit our daughter, working in a dressage stable, over New Year’s Eve. Short hours of daylight followed by cold, clear nights with Venus and the crescent moon over dark meadows. Those noble horses.
And then, bombs over Gaza.
Returning home, 16 degrees below zero, freezing cold in the studio. And for the people locked up in Gaza: still more bombs, missiles, shooting.
One world.
http://www.avaaz.org/en/gaza_time_for_peace/?cl=164026500&v=2623











