“Training the Fundamentals of a Democratic Society” II

art, recent work

Here we go; the project starts today with the reading of a poem, originally written in Ukrainian and later rendered into English (note to self: I have to find out the name of the translator!)
…and now, over to Tanya Maria Litvinyuk:

Tania Maria Litvinyuk 2

We are cities, each one reminds megalopolis,
We have people who come and live inside us.
And we absorb people like sponges, as if we are bottomless,
And these people, certainly, really need us…

And we call people by names, like we call avenues,
We have many roads and not all of them are gorgeous,

And the sky that kisses the pavement is not always blue,
And people that breathe us in are not strong always…

It happens sometimes, that people want to move off,
To finally pick their things and get freedom, become unrestraint,
To start conversation with the best physician on Earth,
And to hang better routes they could have, on their chests.

It happens sometimes, that people want to avoid us,
For we cause the addiction, stronger than anything in the world,
And people want to see other megalopolises,
And people want to perceive other cities, to feel or keep hold…

And we do not care. We are solidly frozen forever…
Such majestic, such static megalopolises…
For what do we have to lose? Lots of inhabitants.
Today, I saw spring waving her arm from the train modestly…

“Training the Fundamentals of a Democratic Society” I

art, recent work

Today, I’m proud to announce my invitation from curator Yulia Oleksandriv (Perfect Art Institution, Stockholm/Kyiv) to be part of the project Training the Fundamentals of a Democratic Society. Youth leaders and human rights activists from Ukraine, Moldova, Georgia, Belarus, Russia, Poland, Denmark and the Netherlands are gathering for a three-days’ workshop in Sweden, initiated by NGO Active Ukrainians in Europe and kindly supported by the Swedish International Centre for Local Democracy and the Swedish Agency for Youth and Civil Society.

My contribution will be to conduct a process where individual memories, associations and reflections are transferred and shared across linguistic and geographical borders. Ukrainian poet Tanya-Maria Litvinyuk will provide us a point of departure, and on August 28th we’ll arrive at Stockholm International Library to stage a multilingual performance. The travel in-between will take place in the unseen space of creative thought.

Tomorrow, we’ll be off!

 

finishing & preparing

art, recent work

140421b grunda pannå

From the studio: a set of wood panels being prepared.
And from the writing desk (for Swedish readers): a reflection, finished in June, about painting with the help of facilitated communication, in relation to texts by Mechtild of Magdeburg, Friedrich Nietzsche and Ludwig Wittgenstein.

Om språk, tanke och det kroppsliga livets möjliga riktning mot frihet.

To be narrated

art, recent work

observatorium“Observatory” by PS (photo HHW.)

The recent two weeks, I’ve spent together with old and new friends doing another Arts-and-crafts Creative Summer Camp; or maybe rather, another Common Creative Chaos/Cosmos Narrative Camp. The form has developed over the years; maybe it’s about time to name the technique, so let’s call it ‘integrative narration’ for a try…

Being the leader, I put forth the beginning of a story. The participants then respond by their own stories, artefacts and finds, their images and suggestions. The evolvement of things from day to day – also real-time concerns, conflicts and break-throughs – find their way into the story, mirroring ourselves as we are; with our strengths and challenges, our sense of beauty and humour, our sorrows and fears, fooleries, pride, wonder, wisdom and empathy. Finally, it ends up with a feast (of course).

kosmos“Cosmos” by TI (photo HHW.)

Change

art, recent work

Behemot tittar in (2)Time for a change; photo HHW.

 

For almost three years, I have given much of my attention to Art Lab Gnesta and the Karl Schultz-Köln and Marita Mörck-Schultz Foundation. It has been a lot of work, many encounters, much fun and not so few accomplishments. Here are some of the highlights, from the Art Lab Gnesta website…

Art Lab Gnesta/Research@Supermarket Art Fair 2013, six short films: Helena Hildur W, Auli Laitinen, Agnieszka Knap, Arne Widman, Madeleine Aleman, Ivar Sviestins; © Nigo produktion.

Art Lab Gnesta/Research@Supermarket Art Fair 2013, interview by the Swedish Exhibition Agency

“The Giant Corpse Flower Blooms”, performance by Ingela Ihrman at the Venice Biennale, Midsummer’s Day 2013

Green Lab

Karl Schultz-Köln (1921 – 2013) Memorial Exhibition, March 2014

 

…and, from the Swedish Exhibition Agency:

Concluding discussion at the Green Art Lab Alliance seminar in Visby, May 2014

 

However, now it’s time for a change. Parallel with my engagement in Art Lab Gnesta, I have been doing courses, reading and writing. The next semester will find me part-time at the Center for Studies in Practical Knowledge at Södertörn University, and full-time at the Royal Institute of Art – which opens the possibility for me to fully delve/dive into the intuitive and logical learning process. My dear colleagues in the former network of Art Lab Gnesta/Research (which is now likewise independent from Art Lab Gnesta) are still around, a valuable peer-review resource.

To Art Lab Gnesta, and all its crew, I wish the best of luck!

diary painting XXX

art, recent work

14-04-09b

14-04-09; oil on wood panel (photo HHW.)

I’m happy to be back to work in the studio (it’s been a long time – I can tell from the looks of my palette). I’m also happy to have new followers here…
These ‘diary paintings’ are my taking notes about the day’s atmosphere and light; somewhat like a musician’s exercising scales and harmonies. Usually, they’re made in 45 minutes to one hour. Over time, they may form a theme – or not. Sometimes they open up to something new. Sometimes they are simply uninteresting, dull… much like a diary.

…on to Stockholm…

art, recent work

KCK workshop 01

During the fall of 2013, I was heavily engaged in the Green Lab project at Art Lab Gnesta; a project focusing on the environmental impact of contemporary art.  The project resulted in a publication – edited by artist Ulrika Jansson – and a half-day seminar, hosted by Art Lab Gnesta together with the Culture and Recreation department of the City of Stockholm. Now, rings are spreading on the water: on Thursday, I was invited by the Swedish Artists’ Organisation (KRO) and Konstnärernas Centralköp – a cooperative artists’ materials store – to hold a workshop in Stockholm together with Ulrika. Some thirty professionals showed up, and first we all got some hard facts about art production and water pollution, from an environmental engineer’s point of view. Then Ulrika gave a lecture on contemporary art dealing with environmental issues, highlighting artists such as Marjetica Potrč, Chris Jordan, Eva Bakkeslett, Andrea Hvistendahl, Paula von Seth and Erik Sjödin. For the coffee break, the party divided in groups to share experience and ideas around chosen themes. It’s so simple; and it works. I so enjoy the bubbly sound of  animated dialogue… and the final round up session brought about a handful of significant ‘next steps’ to be implemented in collective studios, in artists’ associations and various professional undertakings.
What an optimistic evening!

KCK workshop 02 KCK workshop 04

…to Art Lab Gnesta…

art, beauty, recent work

Bildens yta som kunskapsfält (1)

Today and tomorrow, you can still see the Karl Schultz-Köln memorial exhibition at Art Lab Gnesta. The exhibition will close with an event connecting Karl’s own research theme to contemporary art and research. Die Bildfläche als Erkenntnisfeld (roughly: the Image as a Field of Experience) was the title Karl chose for his collected essays, edited in 1998. To connect and comment on this, I will stage a Lab Talk with artist Jan Rydén, whose project Thinking Through Painting is ongoing since 2009.

http://janryden.wordpress.com/portfolio/2013-2/

The huge differences between these artists are obvious; so, the question is rather, if there exist any common parameters?
What does the image offer as  a field of experience?

For my own part, I’m really looking forward to this… Jan – you are most welcome to Art Lab Gnesta!
And everybody else – you are, too!

K S-K Winter

Karl Schultz-Köln: Winter (oil on canvas); photo HHW.