To be narrated

art, recent work

observatorium“Observatory” by PS (photo HHW.)

The recent two weeks, I’ve spent together with old and new friends doing another Arts-and-crafts Creative Summer Camp; or maybe rather, another Common Creative Chaos/Cosmos Narrative Camp. The form has developed over the years; maybe it’s about time to name the technique, so let’s call it ‘integrative narration’ for a try…

Being the leader, I put forth the beginning of a story. The participants then respond by their own stories, artefacts and finds, their images and suggestions. The evolvement of things from day to day – also real-time concerns, conflicts and break-throughs – find their way into the story, mirroring ourselves as we are; with our strengths and challenges, our sense of beauty and humour, our sorrows and fears, fooleries, pride, wonder, wisdom and empathy. Finally, it ends up with a feast (of course).

kosmos“Cosmos” by TI (photo HHW.)

Change

art, recent work

Behemot tittar in (2)Time for a change; photo HHW.

 

For almost three years, I have given much of my attention to Art Lab Gnesta and the Karl Schultz-Köln and Marita Mörck-Schultz Foundation. It has been a lot of work, many encounters, much fun and not so few accomplishments. Here are some of the highlights, from the Art Lab Gnesta website…

Art Lab Gnesta/Research@Supermarket Art Fair 2013, six short films: Helena Hildur W, Auli Laitinen, Agnieszka Knap, Arne Widman, Madeleine Aleman, Ivar Sviestins; © Nigo produktion.

Art Lab Gnesta/Research@Supermarket Art Fair 2013, interview by the Swedish Exhibition Agency

“The Giant Corpse Flower Blooms”, performance by Ingela Ihrman at the Venice Biennale, Midsummer’s Day 2013

Green Lab

Karl Schultz-Köln (1921 – 2013) Memorial Exhibition, March 2014

 

…and, from the Swedish Exhibition Agency:

Concluding discussion at the Green Art Lab Alliance seminar in Visby, May 2014

 

However, now it’s time for a change. Parallel with my engagement in Art Lab Gnesta, I have been doing courses, reading and writing. The next semester will find me part-time at the Center for Studies in Practical Knowledge at Södertörn University, and full-time at the Royal Institute of Art – which opens the possibility for me to fully delve/dive into the intuitive and logical learning process. My dear colleagues in the former network of Art Lab Gnesta/Research (which is now likewise independent from Art Lab Gnesta) are still around, a valuable peer-review resource.

To Art Lab Gnesta, and all its crew, I wish the best of luck!

from the studio…

art, recent work

140312 värmepump i ateljén

Woodpanels drying in front of the heat pump

Long time since I published the last posts, but that doesn’t mean work is off. Blogging about my work is a kind of reflection, and since August 2013 I’m doing a lot more of that – reflecting – although in another context; currently, I’m in a two-year programme at the Center for Studies in Practical Knowledge at Södertörn University (Stockholm), which means a lot of reading, writing and discussing. Another part of my time is spent at Art Lab Gnesta.

But then, there’s the studio. It’s always there… Spring light is outside. Inside, it’s warm. Inside, things are waiting.

140312 dockor i ateljén  140312 köksbänken i ateljén
140312 lod i ateljén140312 klänning i ateljén
140312 målningar i ateljén 140312 trasor i ateljén
shades & matter

Artistic Research Processes at Konstnärshuset (Stockholm) IV

art, recent work

Konstnarshuset-10

Helena Hildur W, installation with painting and prints at Konstnärshuset;
photo by Gert Germeraad

For my own participation in this exhibition, I brought painting #IV (still unfinished) as the central piece of an installation also comprising prints from Art Lab Gnesta’s risograph and a few items from the studio, along with an artist book with text and photographs from the project.

The book is available, in limited edition (30 copies in total); to order, please leave a note in the commentary field below.
Full text – in Swedish, although with an English abstract – can also be found here:

Om varseblivning av kvalitet i gestaltande processer: del 1, en individuell process.

Artistic Research Processes at Konstnärshuset (Stockholm) III

art, recent work

The exhibition at Konstnärshuset is finished. For you who missed it, or couldn’t come – here’s to give you an idea of the rest of the exhibited works, along with links to full text papers (in Swedish):

Konstnärshuset Lena Oja b

Lena Oja: The management of a Cervical Spine/
Ridkonstens samtal: en vägbeskrivning
(2012)

Konstnärshuset Auli Laitinen 2b

Konstnärshuset Auli Laitinen 1b

Auli Laitinen: In My Nature/I min natur (2012)

Konstnärshuset Madeleine Aleman b
Madeleine Aleman:
A Meal in Swedenborg’s Summer House/
En måltid i Swedenborgs lusthus (2012)

Konstnarshuset-23

Antonie Frank: [WHITEWASH] (2012)

And a few more projects which come as artistic statements, with the verbal part yet unpublished:

Konstnärshuset Agnieszka Knap 2b

Konstnärshuset Agnieszka Knap 1b

Agnieszka Knap: What Could it Be?/Vad skulle det kunna vara?

Konstnärshuset Ivar Sviestins 2b

Ivar Sviestins: The Human Face/Människans ansikte
(note that the left picture is an extreme zoom-in, focusing the eye of a portrayed person – who is, in his turn, watching the photographer
)

Konstnärshuset Roland Ljungberg b

Roland Ljungberg: The Place/Platsen – artist book (2013)
PhD Roland Ljungberg is – together with Emma Göransson – the developer and leader of the course Artistic Research Processes. His dissertation (“En resa från det ordlösa”) is a personal mapping of the artist’s professional skills and knowledge.

All photos by HHW.

Artistic Research Processes at Konstnärshuset (Stockholm) I

art, recent work

Webinbjudan

The booming interest for artistic research is, I think, a shift of focus from result to process. When ‘art’ – in some contexts – has become synonymous with ‘investment’… and in others, primarily an act of provocation… the processual aspect along with reflexivity, and the intention to make a positive contribution, is well communicated within the framework of artistic research.
Would you agree?

Exhibition open today and tomorrow, 12 – 18, at Konstnärshuset (House of Artists), Smålandsgatan 7, Stockholm.

For Swedish speakers, here’s a series of interviews on some of the projects and the idea of establishing an independent platform for artistic research; six short films made by Art Lab Gnesta and nigo produktion:
“Hör mer om ALG/R på Supermarket”