2014-12-29 Metals V (aluminium)

recent work

aluminium

Aluminium disc; photo credit Theodore W. Gray.

Aluminium: a chemical element with symbol Al and atomic number 13; a silvery white, soft, ductile and malleable metal; melting point 660°C, boiling point 2470°C; does not easily ignite; nonmagnetic. Aluminium is the third most abundant of all elements in the earth’s crust (after oxygen and silicon). In spite of its common appearance, it does not seem to have any biological function.
Aluminium is, together with copper, one of the chemical constituents of the mineral turquoise. With sulfur and sodium, it produces ultramarin blue and violet pigments found in nature. It is also a constituent in potassium alum, a compound known since around 2000 BC and widely useful for its astringent, blood coagulating, flocculant, fire retarding, preserving and purifying properties. Alum is also efficacious for fixing pigments, textile dyes and making ceramic glazes. The multiple uses of alum is mirrored in antique treatises and alchemical practices. Metallic aluminium wasn’t extracted until the 18th century.
Pure aluminium can be used for metallic paints and pigments, as it keeps its silvery reflectance even in finely powdered form.

2014-12-27 Metals III (zinc)

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zincZinc: a chemical element with symbol Zn and atomic number 30; a bluish-white, lustruous metal, brittle at most temperatures; melting point 420°C, boiling point 908°C; it burns with a bluish-green flame, is moderately reactive and tarnishes quickly. Impure zinc together with copper was used to make the alloy called brass as early as 14th century BC. Later, alchemists burned zinc metal and collected the resulting zinc oxide, calling it lana philosophica (“philosopher’s wool”) or sometimes nix album because of its woollen or snow-like texture.
Zinc oxide is used as a white pigment.
Zinc sulfate produces another white pigment, lithopone, while zinc sulfide is used to make luminescent pigments.
Zinc chromate makes a yellow pigment, which however deteriorates into brownish.
Zinc is an essential trace element in animals and humans, functional in the cells of the brain, nerves, muscles, bones, kidney, liver, eyes and reproductive parts.

Project Student!

art, recent work

140901 01b KKH140901 05b KKH140901 07b KKH  Registration day at the Royal Institute of Art (Stockholm)

And then… and then, one late summer day I found myself once more a student at the Royal Institute of Art. On September 1st, the new semester began – immersed in sunshine and jazz music – with a speech by new director Marta Kuzma. Then official photographing on the lawn. And for me, a space in the graphic department. I bring the object from Mr Benetton, and install myself.

140912 01b KKHNow, that’s already two full months since, and my main project is slowly evolving. It’s connected to my studies at the Södertörn University; I could say I’m attempting at bringing art to the academic world, as well as academia to the art world. Or: that I’m exploring what can be lined up in written sentences, and what can be reflected on a surface only.

Imago Mundi?

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Imago mundi 1b‘Imago Mundi’ canvas, 10×12 cms (photo HHW.)

And then I got invited to a project named Imago Mundi, initiated by mr. Luciano Benetton. Mediated by a Swedish curator, he sent me a framed canvas, offering a place in his collection if I return it transformed into an artwork. Hmm… I keep thinking about this. I bring the object with me, presenting it to colleagues and friends; what do you think?  A gift, a generous offer, a pawn, a trap?

“Training the Fundamentals of a Democratic Society” IX

art, recent work

'Training...' på IB 07

Time to reveal how the project came off, really. First, a recap – this is the ‘common ground’ we started out from, the untitled poem by Tania Maria Litvinyuk:

We are cities, each one reminds megalopolis,
We have people who come and live inside us.
And we absorb people like sponges, as if we are bottomless,
And these people, certainly, really need us…

And we call people by names, like we call avenues,
We have many roads and not all of them are gorgeous,
And the sky that kisses the pavement is not always blue,
And people that breathe us in are not strong always…

It happens sometimes, that people want to move off,
To finally pick their things and get freedom, become unrestraint,
To start conversation with the best physician on Earth,
And to hang better routes they could have, on their chests.

It happens sometimes, that people want to avoid us,
For we cause the addiction, stronger than anything in the world,
And people want to see other megalopolises,
And people want to perceive other cities, to feel or keep hold…

And we do not care. We are solidly frozen forever…
Such majestic, such static megalopolises…
For what do we have to lose? Lots of inhabitants.
Today, I saw spring waving her arm from the train modestly…

(English translation by Ludmila Kovalenko)

Words marked in blue represent the intervention of the project’s participants; during three days of repeated individual readings, each one of us selected some words of special significance. Without sharing, we noted the personal associations, feelings and memories they brought about. Next, we formed our own sentences around those chosen words – still without knowing what the others would come up with. The sentences were gathered and arranged strictly according to their connection with the original poem, and the resulting text was distributed back to all participants. I also offered everyone the option of adding one more sentence, to moderate or to develop some theme. And this is the response, in its final version:

Don’t get absorbed by your daily routines – it’s the fastest way
to die inside, while staying alive; absorb.

City avenues are like arteries, and people then are blood;
so please, run as fast as you can
to keep the city’s heart beating well!
I breathe: tiny ripples from our common sea
of oxygen, of scents and sudden danger,
voices, sounds; alighting on my inner shore,
then withdrawing.

Unrestraint… Keep your dreams all over your chest
in order to control their weight:
you must fulfill them
while they are still light as air.

And what if not?

They will grow heavier. Majestic.
I have so much to lose.

Now, this text is written in English – naturally, since it’s the only language we have in common. But in the last part of the project, we rendered it into our own languages; so, at the public reading, it was presented in four successive transformations. That is…

'Training...' på IB 05

…Swedish:

Låt dig inte absorberas av vardagens rutiner – det är det snabbaste sättet
att dö invärtes, medan du ännu lever. Absorbera.

Städernas avenyer är som artärer, där människorna utgör blodet;
snälla, spring så fort du kan,
håll stadens hjärta bultande!
Jag andas: krusningar från ett gemensamt hav
av syre, dofter, plötslig fara,
röster, ljud; de bryts emot min inre strand
och drar sig undan…

Obundna; bär dina drömmar över hela bröstet,
så att du kan kontrollera deras tyngd:
du måste förverkliga dem medan de ännu är lätta som luft.

Och om inte?

De blir tyngre. Majestätiska.
Jag har så mycket att förlora.

***

…Russian:

Не становитесь поглощенными вашей ежедневной рутиной – это самый быстрый способ умереть внутри, оставаясь в живых; поглощать.
Городские проспекты как артерии, а люди в них как кровь;
поэтому, пожалуйста, бегите так быстро, как вы можете
Чтоб сохранить биение сердца города!
Я дышу: крошечная рябь в нашем общем море
Кислорода, ароматов и внезапной опасности,
голосов, звуков; посадка на мой внутренний берег,
затем я выхожу.

Необузданность … Храните ваши мечты во всех уголках сердца
,чтобы контролировать свою значимость:
Вы должны их осуществлять,
Пока они все еще чисты как воздух.

А что, если нет?

Они становятся более значимые. Величественные.
Я не могу так много потерять.

***

…and Ukrainian:

Не давай щоденній рутині себе абсорбувати –
Бо це найшвидший спосіб
Вмерти усередині, залишаючись живим зовні.
Абсорбувати.

Міські авеню – як артерії, а люди тоді – це кров.
Тож біжіть так швидко, як тільки можете
Щоб серце міста билося краще!
Я дишу: маленькі частинки нашого спільного океану кисню
І запахів неочікуваної небезпеки
Голоси, звуки. Хвилі прибою на моєму внутрішньому березі
Нахлинули, потім відкотилися.

Нестримано. Зберігай свої мрії на своїх грудях
Щоб контролювати їх вагу
Ти повинен виповнити свої мрії
Доки вони ще такі ж легкі, як повітря

А якщо ні?

Тоді вони ставатимуть все важчими.
Велично.
Я так багато можу загубити.

'Training...' på IB 02 'Training...' på IB 03

'Training...' på IB 04 'Training...' på IB 11 'Training...' på IB 10

'Training...' på IB 09

Full documentation here:

Evening at International Library, Stockholm

“Training the Fundamentals of a Democratic Society” VIII

art, recent work

Last Saturday, we finally met… The project group had a very tight schedule while in Stockholm, but nevertheless, a few of us managed to get a couple of hours to attune our intentions and make up a draft for today’s event. After we parted, and these remarkable young human rights activists of Eastern Europe moved on to island Gotland in the Baltic Sea, to spend three days at the Swedish International Centre for Local Democracy (ICLD). Until today, we had to worked independently once more, translating the ‘response text’ into Ukrainian, Russian and Swedish. And right now, I’m sitting in the library foyer, waiting for the guys to show up… we’ll have a brief moment of rehearsal – and then, we’ll be on stage.

flyer